We've run the kind of catalog we now protect

Commercial music licensing was not built for how advertising works today. Rights get cleared inconsistently, unlicensed use goes undetected for years, and the rightsholder is the one who loses out. Fixing that is why Overture exists.

Before founding Overture, our team built a music catalog valued at more than $100 million, working directly with the artists and songwriters behind the music. Along the way, we saw firsthand how often rightsholders are underpaid or excluded from the value their music creates.

Our experience and track record are why we're trusted today by artists, publishers, and institutional music funds that manage billions of dollars in catalog value, and why we bring the same discipline to every matter we open on their behalf.